Guest Researchers, Practitioners & Thinkers (in order of appearance)

James Auger (Auger-Loizeau), London – workshop #2 at HEAD

James Auger has a BA in Product Design from Glasgow School of Art and an MA in Design Products from the Royal College of Art. Between 2002 and 2005 he was employed as a research associate at Media Lab Europe, where the main focus of his research was a design-based investigation into technology-mediated human interaction. He then worked at the Issey Miyake Design Studio in Tokyo as guest designer. Since 2005 he has been teaching and continuing his research in the Design Interactions programme at the RCA.
James is also a partner in the Speculative Design practice Auger-Loizeau, whose projects have been published and exhibited internationally, including MoMA, New York; 21_21, Tokyo; The Science Museum, London and the Ars Electronica festival, Linz, and are part of the permanent collection at MoMA. In 2003 James was awarded the Köln Klopfer International Designer of the Year by the students of KISD in Germany. James Auger is an external examiner at Edinburgh College of Design, visiting professor at HEAD – Geneva, and on the judging panel of IF Design awards.


Matthew Plummer-Fernandez (#Algopop), London – workshop #3 at ECAL

British/ Colombian Artist and Designer Matthew Plummer-Fernandez makes work that critically and playfully examines sociocultural entanglements with technologies. His current interests span algorithms, bots, automation, copyright, 3D files and file-sharing. He was awarded a Prix Ars Electronica Award of Distinction for the project Disarming Corruptor; an app for disguising 3D Print files as glitched artefacts. He is also known for his computational approach to aesthetics translated into physical sculpture.

For research purposes he runs Algopop, a popular tumblr that documents the emergence of algorithms in everyday life as well as the artists that respond to this context in their work. This has become the starting point to a practice-based PhD funded by the AHRC at Goldsmiths, University of London, where he is also a research associate at the Interaction Research Studio and a visiting tutor. He holds a BEng in Computer Aided Mechanical Engineering from Kings College London and an MA in Design Products from the Royal College of Art.


Dr. Christian Babski (fabric | ch), Lausanne – developer

Christian Babski is lead programmer and co-founder at fabric |ch, a studio for architecture, interaction and research based in Lausanne, Switzerland.
As scientist, Christian Babski takes part in the technical and software development of research projects within the group. Through experimental projects, he developed specific skills in interfacing heterogeneous systems/mechanism/hardware by achieving specific software libraries in numerous distinct programming languages. Therefore, he is used to manage computer hardware, sensors, mobile devices as well as network and online technologies or services.
Christian Babski holds a Phd in Computer Graphics from the Swiss Federal Institute of Technology (Lausanne), where he was involved into several European research projects. He previously graduated in Computer Science (Ma) in Dijon (France), prior to finalizing a Master of Science (M.Sc) in Lyon (France)/Geneva (Switzerland).


Contact: christian[dot]babski[at]fabric[dot]ch


Dev Joshi (Random International), London – workshop #5 at ECAL

Dev Joshi is Head of Technology at contemporary art studio Random International. Having trained in product design engineering he has spent the last five years at Random finding ways to bend technologies and systems for use outside their usual arenas. In addition to his work in the arts, Dev has recently launched Headless Ghost, a Kickstarter funded display emulator and is CTO at Product Laboratories Limited – developers of Rain Cloud, a connected weather device. Focusing on hardware and humans, Dev enjoys exploring the interface between people, objects and the behaviors of both as well as how technology can be used to convey information across the fields of art and science for both practical and emotional expression.


Sascha Pohflepp, Cologne – workshop #6 at HEAD

Sascha Pohflepp is a German-born artist, researcher and writer whose work has been known to probe the role of technology in our efforts to understand and influence our environment. His interest extends across both historical aspects and visions of the future and his practice often involves collaboration with other artists and researchers, creating work on subjects ranging from synthetic biology to geo-engineering and space exploration. Notable exhibitions include Talk To Me at MoMA New York, Hyperlinks at the Art Institute of Chicago, Micro Impact at the Boijmans Van Beuningen Museum Rotterdam, Pre-History of the Image at STUK Kunstencentrum Leuven, Science Fiction: New Death at FACT Liverpool and an online project for opti-ME* at Auto Italia South East in London. Sascha’s work has earned two Honorary Mentions from the VIDA Art and Artificial Life Awards and in June 2015 was shortlisted for the Berlin Art Prize.



Scientific Panel, Peers

A group of specialists has been gathered around the project that will keep a critical eye on the evolution of the I&IC research project. As peers and would they like to, they’ll have the opportunity to post on the Blog & resources section of this site, so as comment the work in progress and/or give advices.

Prof. Babak Falsafi (EPFL / Ecocloud), Lausanne

Babak Falsafi is the founding director of the EcoCloud research center targeting energy-efficient and environmentally friendly cloud technologies. He also directs PARSA at EPFL.

Prof. Falsafi’s interests are primarily centered around computer systems with emphasis on techniques for integration, specialization and approximation (ISA) to improve efficiency in datacenters, design for emerging technologies and design evaluation methodologies for servers.


Prof. Zhang Ga (Tsinghua University / TASML), New York / Beijing

Zhang Ga is a media art curator, director of the Tsinghua Art & Sciences Media Laboratory at Academy of Arts and Design, Tsinghua University (Beijing), and associate professor of Media Design at the School of Art, Media and Technology at Parsons The New School for Design (New York).

He was Artistic Director / Curator of Synthetic Times: Media Art China 2008, International New Media Art Exhibition, a Beijing Olympics Cultural Project organized by the National Art Museum of China in 2008 (catalogue by the MIT Press), among numerous other curatorial projects. He has been on many jury and consultation committees including the (former) World Trade Center Artist Residency Program (New York), Franklinfurnace’s Future of the Present Performing Funds (New York), Rockefeller New Media Fellowship National Nomination Committee (New York), Prix Ars Electronica (Linz), Vida (Madrid), and others.


Dan Hill (Future Cities Catapult), London

Dan Hill is Executive Director of Futures at the UK’s Future Cities Catapult. A designer and urbanist, he has previously held leadership positions at Fabrica, SITRA, Arup and the BBC. He writes regularly for the likes of Dezeen, Domus and Volume, as well as the renowned blog City of Sound.

Throughout a career focused on integrating design, technology, cities, media and people, Dan has been responsible for shaping many innovative, popular and critically acclaimed products, services, places, strategies and teams.


Geoff Manaugh (BLDGBLOG, Gizmodo), New York

Geoff Manaugh is the author of BLDGBLOG and The BLDGBLOG Book, he is also the new editor in chief at Gizmodo. He is a former senior editor of Dwell magazine, and a contributing editor at Wired UK. He was co-director of Studio-X NYC, an off-campus event space run by the architecture department at Columbia University. He has taught at Columbia University, the University of Southern California, and the University of Technology, Sydney, and he lectures widely on architectural topics at museums, schools, and other venues around the world.

Manaugh recently curated the exhibition Landscape Futures: Instruments, Devices and Architectural Inventions for the Nevada Museum of Art; an accompanying book, co-published by Actar, is forthcoming. Manaugh is also a freelance journalist, writing for Popular Science, The New York Times, GOOD, Volume, Domus, and many websites.